Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,   Related Paintings of CIMA da Conegliano :. | Recreation by our Gallery | Madonna of the Orange Tree | The Incredulity of St. Thomas with St. Magno Vescovo fg | Hieronymus in einer Landschaft | Madonna and Child dfhdt |
Related Artists:
August Allebe
painted Young woman in 1863
HONTHORST, Gerrit van
Dutch Baroque Era Painter, ca.1590-1656 Dutch portrait, genre, and allegorical painter. In Italy (c.1610?C1620) he gained a sound understanding of the works of Caravaggio, which greatly affected his style. He was a master at painting candlelit genre pieces and biblical scenes. Upon his return to Holland, he introduced the Italian manner of illusionistic decoration into Dutch interiors, as in his decorative scheme for the palace of Honselaarsdijk. In 1628, Charles I invited him to England, where he decorated Whitehall and painted portraits of the king and nobility. Several of these are now in the National Gallery, London. He also worked for the court of Denmark, and from 1637 to 1652 at The Hague. Together with Terbrugghen and Baburen he led the influential Utrecht school of painting that introduced Caravaggesque dramatic realism into Dutch art.
Anthoni Schoonjans
(1655 - 13 August 1726) was a Flemish painter. He was born in Antwerp and became a pupil of Erasmus Quellinus II and his son Jan-Erasmus Quellinus. He travelled to Rome and like his teachers had done before him, joined the Bentvueghels with the nickname "Parrhasius" in 1674. In Rome he lived with Charles de Vogelaer in the via Margutta and later he lived from 1688-89 in the Corso, near the via di Ripetta. In 1695 he became court painter in Vienna, where he later died. During the course of his lengthy career he also worked in Antwerp, Riems, Lyon, Amsterdam, the Hague, Brno, Dusseldorf, Copenhagen, and Berlin.He is known for portraits and historical allegories, and was the teacher of Georg Gsell.